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The Handcuffs

http://thehandcuffs.com

For press inquiries please contact: Janelle Rogers - janelle@glgpub.com

Led by acclaimed drummer Brad Elvis and vocalist/rhythm guitarist Chloe F. Orwell, Chicago's The Handcuffs explore broad sonic territory while believing in the power of a great radio hook.

Inhabiting some of the same musical domain as T-Rex, Yeah Yeah Yeahs, The Killers and Spiders from Mars era Bowie, The Handcuffs deliver bold, sexy songs with memorable melodies and unexpected twists. Known as much for their dynamic live shows as for being prolific writers and producers, their songs have been featured in dozens of films and television shows on the CW, NBC, Showtime, MTV, VH1, PBS, HBO, A&E and more. The Handcuffs' music has received airplay on college, commercial, satellite and internet radio throughout the world including KROQ, KCRW and KCSN (Los Angeles), WXPN (Philadelphia), M3 Radio (New York City), WKQX, WLUW and WXRT (Chicago), InterFM 76.1 (Tokyo), Onda Madrid (Spain), Goldie's Garage (NYC/Sirius), Pandora and many more.

The band has released three full-length albums and is currently working on the fourth. "The Handcuffs are one of the few bands capable of effectively combining the spontaneity and musicianship of glam/punk with the urgency and rough-edged sound of garage rock," says New Jersey-based rock critic Phil Rainone. "There's a sexy, swaggering street vibe throughout," adds North Carolina-based critic Bill Kopp, and the Chicago Sun-Times exclaims that The Handcuffs are simply "effervescent." Music fans and drum aficionados may recognize co-leader Elvis from a few major label go-arounds during his career (outspoken fans of his drum chops include "Little" Steven Van Zandt, Cheap Trick's Bun E. Carlos and Blondie's Clem Burke and Debbie Harry). Completing The Handcuffs powerhouse garage-glam lineup are bassist Emily Togni, lead guitarist Susie Q and keyboardist Alison Hinderliter.

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The Handcuffs sat down with MAGNET to create a special mix tape full of suprises.

MAGNET

"Chicago's The Handcuffs release album, stay focused, remain lighthearted...oh, and get the BLURT nod of approval, too."

BLURT Magazine

Review on Millenium Park, Chicago show on 6/16/11: "[The Handcuffs] brought the rock and drowned out the rush hour traffic on Michigan Avenue that was only steps from the stage like they were looking to scrap with the city’s skyscrapers. Elvis was reminiscent of Keith Moon in both the way he attacked the drums and for his comic playfulness behind the kit. He exudes a rock esthetic in anything he does onstage and probably anything he does off it, too, including I suspect even when eating Cheerios for breakfast. Orwell is a captivating lead singer who projects a contagious, fun energy. Togni played the role of non-plussed bassist while grooving deeply with Elvis. Ellis Clark interjected guitar slices and raged on “Vinyl Isabella.” Newly-added Alison Hinderliter, who also plays with Scotland Yard Gospel Choir, contributed colors with her keyboard."

Dave Miller, ChicagoConcertGoers.com

"That late-period powerpop gem is an overlooked classic that synthesized the RembrandtsSqueeze and other critical favorites... “Dirty Glitter” sounds like Wolfmother with a chick singer; “Miss you on Tuesday” sounds a bit like Divinyls-meets-The Muffs."

Musoscribe - Bill Kopp's Music Blog

"Alright, let's get right to the point here, this is a great album. It's a stripped-down DIY take on alt-glam with the breakout track - instant party song all-time classic..."

"Timeless, timely and fresh, Waiting For The Robot is an instant classic. The Handcuffs define their space and own it."

Rust
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