The new piano-driven ballad from New York singer-songwriter, Mackenzie Shivers, stares down hate and animosity with dubious eyes and questions its purpose head-on. Piano melodies and wallowing strings layer like black velvet over rigid mountains of tension.
At a young age, Mackenzie told her mom that she had music inside her “that needed to come out.” Her mother would check in on her at night to find her fingers playing the piano in her sleep. She wrote her first song as a four-year-old, and at age eight she would go to the movies and come right home to figure out the score on the piano. Always at the mercy of the muse inside, Shivers has continued honing her craft ever since. Music is more than just a listening experience, and Shivers’ music brings life to her sound by painting a picture of a colorful world where spirits can run free.
Art moves us, it puts a fire beneath our soul and creates imagery in our minds that connects to the beautiful things around us. Some of the boldest women in music like Tori Amos and Joni Mitchell have done this, and so has Shivers. The experiences that submerged Mackenzie Shivers into her craft include a degree in music composition from Vanderbilt University, which also gained her access to Nashville’s vibrant country scene. You can still hear this influence of the South when pedal steel floats amongst her trademark piano skills, while her Irish and Scottish heritage lends a distinctly Celtic flavor.
As with all true artists, Shivers’ sound is both constantly evolving yet instantly recognizable. On her upcoming album The Unkindness, she underpins her classical training with an emotional essence that blossom together like bright buds as they bloom atop a proud and prolific tree. In its most intimate moments, the album is two ghostly vocals suspended in reverb reminiscent of a gothic cathedral. At its most robust, it is baritone sax and trumpet weaving in and out of bass, drums, and organ, anchored by Shivers “pounding the keys with the reckless abandon of an 11-17-10-era Elton John” (The Village Voice). No matter how large or small the arrangement, each musical element is branch of that mystical blooming tree, lining each side of a path she paves for the listener to get perfectly misplaced in wanderlust.
Like her influences Aoife O’Donovan and Olivia Chaney, Shivers’ voice is clear and unmistakable. She takes each sound, each vocal utterance, and nurtures them in their simplest form, leaving a lasting impression on every listener. With The Unkindness, she invites you into a realm where you can escape, dream, grieve, believe, and even dance. Listening to her work leaves you in no doubt that you’ve entered the vibrant and imaginative world of its creator. Like individual colors on an artist’s palette, knowing which pieces to blend together and which to lay side by side, Shivers has a discernible skill for being able to distinguish contrast and focus all in the same view. The colors, textures and the entire landscape itself allures and charms the listener, pulling them into the stunning musical terrain.
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Keyboard Magazine has featured the likes of some of the greatest talents such as Elton John and Tori Amos, and now Mackenzie Shivers. Read more about her feature as their "Talent Scout Artist of the Week"!
Elmore Magazine is here with an exclusive premiere of a new song off of Mackenzie Shivers' upcoming album! Check out the single, The Canyon", and find out how you can pre-order her album, The Unkindness.
Rob Dickens, No Depression
"Her follow-up release Living in My Head is powerful, showcasing her Celtic-inspired piano-driven folk." [7/21/2016]
Pure M Zine , Dave Simpson
"The exceptional elegance of her voice mixed with the emotional ambience established by the instrumentation makes for an exquisite listen." [9/9/2016]
"['Tell Me to Run'] is unexpectedly large—layers of shining instrumentation are piled atop each other; a cinematic quality comes forth with an added string section." [8/29/2016]
"[Believe" is] one of those tracks which, once heard, you can’t believe hasn’t existed for years – perhaps the ultimate compliment." [11/5/18]
Joshua Pickard, The Southern Sounding
"Her voice, a lilting and significant power, conveys personal insight into the fanciful things that she refuses to allow to cloud her judgment..." [10/25/18]
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