Make It”, the new single from Brooklyn folk rocker Jess Clinton, hums with the tender sentiment in the midst of dark times. The single’s light, flowing musical disposition envelopes each comforting lyric. Each swift finger pick of the acoustic guitar whispers casually like an intimate, heartfelt conversation between friends.
At just three years old, Jess Clinton couldn’t get enough of the microphone in her father’s home recording studio. Born an only child to her actress mother and film composer father, Clinton was steeped in the Los Angeles entertainment industry, surrounded by perpetual encouragement to explore the enthusiasms of creativity. Some of Clinton’s earliest memories are of toddling around recording studios enjoying the cozy, clean darkness of the control room. The fondest moments of her early musical determination can be found on converted tapes from her three-year-old freestyling sessions. Between takes of “Old MacDonald”, her father’s voice lingers as he can be heard assisting with the headphones and telling her to be careful of the microphone that she grasped with her small hands.
It was only a matter of time before the overflowing influence of expressiveness led Clinton down her own path of musical discovery. At the age of 12-years-old she picked up her first guitar, learning White Stripes songs by ear on her portable CD player. Around that same time, she started taking voice lessons, focusing on theatre and classical voice. Clinton was a technically born “valley girl,” so growing up in Hollywood, where the beauty standards are on figurative steroids, Clinton found a haven in her high school music program. She was able to write songs in secret about things she felt she had no one to tell. This could-have-been valley girl ended up a self-proclaimed art freak, as she still feels today. The limits of creation are non-existent, as Clinton ever-expands her boundaries and throws her dreams at the wall, always knowing one will stick.
Her LA music pedigree is composed of classical/theatre voice, mostly self-taught folk and rock guitar, all infused in the storytelling of film scores since very early on. Her family's roots in Appalachia and its music are woven throughout her eclectic tapestry of musical inspiration. Her love for Celtic music was born in college at the Gallatin School of Individualized Study in NYU, where she concentrated in Songwriting and Folk Musicology. Clinton’s influences come to life in her music. Each musical layer sets off a spark, leaving a single song engulfed in a burning blaze of assorted sounds.
Clinton’s arsenal of skills on acoustic, electric, and a beast of a guitar she’s named “Lola” (she has a dark brown voice), a 12-string baritone acoustic from a Woodstock luthier named Veillette, pair with the voice her heart whispers between each note. This time, it’s telling her to make noise. On her upcoming album, Real Glass Heart, Clinton is taking up space, letting herself feel the groove of the stories begging to be told. Clinton writes what feels good to sing. Songs show up on her doorstep, like a familiar friend listening to her experiences with mental health, love, nature, and quiet outrage.
An introvert who’s fluent in extrovert, Clinton is entirely transparent, letting each song thrive as its own personality, which are all a part of her. Shape-shifting soprano vocals range from bell-tone purities to sultry secrecies, her voice is the crowning jewel of her introspective tapestry of acoustically-driven song. Bringing both her serious expertise and jocular personality to stage and studio, Jess Clinton uses her music to communicate the most intimate parts of herself, re-defining what it means to be a woman, a creator, and the volumes in which she can speak her truth. Real Glass Heart is set for release in July 2019.
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“Sleeping Woman”, the new single from Brooklyn singer-songwriter Jess Clinton, sends a modest rage shivering down the spine of an imaginary mob of women, seething with a thirst to claim their place in the world. With its churning rhythms and free-wheeling rock nature amidst cool vocal sustains, “Sleeping Woman” jolts like heart awakened with curiosity by a distant sound in the night.
“The Runaway”, the new single from Brooklyn singer-songwriter, Jess Clinton, stirs up a sultry but sweet premonition of wanderlust. The single’s introspective lyrics explore of the duality of escapism, both emotionally and physically. Deep ripples of guitar resonate in a pool of sweltering rhythm while cool, vintage-style organ rides the waves of each soulful groove.
The Autumn Roses
"Protean and powerful, soft as it sizzles, “The Runaway” is the lean, lustrous and brand-new single from Brooklyn’s Jess Clinton." [5/14/19]
"Clinton is interested in making music that relates to human emotions, and she wants to dig deeper into the psyche." [6/27/19]
Come Here Floyd
"Jess has and always will be seeking that ‘truth’ that makes her footprint, the way she deems healthy, profound, and progressive." [5/27/19]
Mitch Mosk, Atwood Magazine
"A glowing ray of warm light shining through the darkness, Jess Clinton’s “Make It” breathes tender hope with breathtaking fragility and grace." [7/9/19]
The Deli Magazine New York
"'The Runaway', shows the kind of rich, soulful sound that Clinton crafts for her songs; the dark tones from her high and light voice -- which can shift between alto and soprano on a dime." [5/30/2019]
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